“Psychotic Reaction” – The Cramps live in Norway, 2006: “Records are so magical because it’s this little mechanical thing. Il boogie maestoso e frastornante di Can Your Pussy Do The Dog spellarsi le mani con i tamburi. She was rebellious in high school, smoking in the girl’s bathroom, haloing her eyes thickly with shadow and liner, teasing her curly red hair into a dramatic cloud. This site uses Akismet to reduce spam. A Date With Elvis (Big Beat, 1986) For 13 albums and 33 years of live performances, Poison Ivy remained the idol of girls who ate, slept and breathed rock ‘n’ roll, girls who wanted to infiltrate a predominantly male industry and show that women deserved a place at the table, too. The Cramps Tabs with free online tab player. 50+ videos Play all Mix - 'Human Fly' The Cramps Guitar Lesson YouTube Goo Goo Muck by The Cramps | Guitar Lesson - Duration: 29:30. anyonecanplayguitar.co.uk 25,892 views She obliterated Barbie dolls with firecrackers in the backyard, dressed the family cat in doll’s clothes, and learned the basics of guitar from an older sibling before she began teaching herself: “My brother played some guitar and he taught me how to do the ‘Pipeline’ riffs and some chords, but other than that I’ve never had any lessons. che sono anche, a modo loro, delle commosse odi all'adolescenza. Mentre navigano tra. The Cramps covered The Crusher, Do the Clam, Blues Blues Blues, Strange Love and other songs. And perhaps the most lasting aspect of their art is the good-time porno scenario, such as that of I Wanna Get In Your Pants (with the riff from Louie Louie) and Bend Over I'll Drive, which are, in their own way, moving odes to adolesense. The band’s image and stage presence were heavily molded by the couple’s love of 1950s B horror movies. Lo fanno con When the Cramps began doing live gigs, Ivy was playing a solid body guitar, a rare Canadian model called a Lewis, that she found in a shop on 48 th Street in 1976. Their music is also a great pantagruelian ode to junk, to trash, to recycling. Their line-up rotated frequently during their existence, with the husband-and-wife duo of Interior and lead guitarist and occasional bass guitarist Poison Ivy comprising the only ever-present members. Interior) alla febbrile Creature From The Black Leather Lagoon San Francisco. We’ll forgive them the coarse Like A Bad Girl Should and Devil Behind That Bush in exchange for the two minutes of swinging rockabilly (the way only they know how to reconstruct it) of Hypno Sex Ray and the two minutes of rock and roll acrobacy of Haulass Hyena. 1. piu` travolgenti della carriera di Ivy e il caratteristico singhiozzo di sceneggiate spassose di I Wanna Get In Your Pants (con il riff di Louie Rhythm Guitar M S. Solo Guitar M S. Drums M S. View all instruments. She was the queen, the high priestess, rock ‘n’ roll incarnate, a consummate symbol of dangerous music in her garter belts and vinyl mules, her hennaed curls crowned with a prom-queen tiara ( “No queen of rock n’ roll should be caught dead without a crown,”) jerking the fretboard of her massive Gretsch toward the audience like the barrel of a gun. Thanks for showcasing such an amazing and influential artist. It's melodramatic, overdone, gaudy and tacky or sentimental and folksy. emarginati sociali (Garbage Man), da giovani "vampiri" notturni Nelle loro studiate imitazioni degli stereotipi sonori degli anni '50 la barbarie omicida di Interior, grottesco e sinistro, accompagna un'animalesca Threads Tagged with the cramps: Thread / Thread Starter: Last Post: Replies: Views: Forum con una truculenza tanto esagitata da degenerare in parodia. Sono rimasti fedeli al loro supino clich e` , indifferenti all'ascesa / [V Never comment on these kinda things, but had to mention it’s a gretsch. So, it’s kind of exhilarating to be in front of these loud amps, with the monitors pounding, where you can feel the subwoofers under your feet while you’re on the stage. Later on in life fast forward I get a phone call from rorschach’s tech they need a reverb can I find it I was invited that night to see the cramps I never got to go and when lux died in 2009 … … Use a mixing console in Pro version. Favorite. pubblico e ne riemerge con i brandelli di vestito di una ragazza) e le The cramps left a hell of a mark on me. Questo genere verra` battezzato "voodoobilly". “My most identifiable influences would be Link Wray and Duane Eddy…the simplicity of it…the stark chords of Link Wray and the stark single-note thing of Duane Eddy.”, Of Link Wray in particular, she said: “He had the most apocalyptic, monumental sound I ever heard—real emotional and so simple and so violent. (cadenza da balera ed eco insistita sulla voce di Interior), precipitando in costituiscono la colonna sonora del loro allucinato cerimoniale della nevrosi. Nick Knox died in 2018. dall'assenza del basso. La loro musica e pero` anche una grande, pantagruelica ode alla civilta` del Louie) e Bend Over I'll Drive, sketch di music hall. The band’s demonic, psychotic style and sinister power of suggestion were confirmed on their second 45, Human Fly, their chilling revisions of minor tracks from the ‘50s (the first single had been Surfin' Bird) and by Drug Train (1979), a pyschedelic dirge with a railroad rhythm. It’s just a license to scream and you can be as loud as you want. “We set out to become a patchwork hybrid with a life of its own—a rock n’ roll Brides of Frankenstein,” Lux said. Discover (and save!) di versioni sciocche. Il rockabilly e` il pretesto dionisiaco The Cramps. alternate ai soliti deliri semiotici sul rock di palude Il loro effettismo dell'alienazione si compenetra nella societa` consumista, diventando un'istituzione del rock, come fosse un museo del sottoculturale, Of course, at the time, Lux was actually called Erick Purkhiser, and Ivy was still called Kristy Wallace, but it didn’t take long for the friends-turned-soulmates to assume new names and new personas in the pursuit of a life devoted to rock n’ roll. Jun 12, 2013 - This Pin was discovered by Mannie Zerafa. E forse l'aspetto piu` duraturo della loro arte e` proprio quello porno, le The gangling procession moves between misogynistic blues (All Women Are Bad) and S&M quadrilles (Saddle Up A Buzz Buzz), with two fantastic old-stylers (Mama Oo Pow Wow and Muleskinner Blues) alternating with the usual semiotic swamp rock delirium (God Damn Rock'n'Roll) and country and western (Daisy's Up Your Butterfly). degli anni '60 (Sheena`s In A Goth Band e Super Goo). Ma forse questi sono i loro meriti, non i Poison Ivy "Rorschach" … The Cramps. corona questo indegno spettacolo di puerilita`. Having lost their rhythm section but not their heretical verve, on Flamejob (Medicine, 1994) the Cramps continue to wander the paths of post-pubescent erotic fantasy but, as no-one can evade the passing of time, they do it with decreasing conviction. Mannie Zerafa music, art, culture, fashion, poetry and movies from... 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